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"... a three-movement Piano Trio thoroughly worked out in a purely classical idiom." — Arthur Kaptainis (The Gazette, Montreal)
"Tonal, avec forme-sonate affirmée, le long Trio en trois mouvements que l'Ontarien Robert Rival composa à Saint-Henri en 2005 rappelle Chostakovich par son intensité." — Claude Gingras (La Presse, Montréal) on Piano Trio
"The opening Allegro risoluto was substantial and powerful in a Brahms-like way, its drive insterspersed by moments of lyricism. The slow movement, Elegy: Largo, was very moving ... The finale, Dance: Andante, ... was full of dance rhythms, spiced by unexpected moments ... Throughout, the writing was largely tonal but with interesting rhythmic juxtapositions." — Jim Lowe (Times Argus, Vermont) on Piano Trio
"Other pieces of interest included Robert Rival's piano Intermezzo in A-flat [No.1 from Six Pieces], a work reminiscent of Chopin and Fauré with a light polytonal accent." — Richard Todd (Ottawa Citizen)
"[The Great Northern Diver] created the almost silent vastness of Canada and the individual wail of the loon." — Munster Express (Waterford, Ireland)
"Reminiscent of the outer movements of Shostakovich's 'jolly' symphony, the ninth ... [Overture] is solid, engaging and a good listen." — Ottawa Citizen
"A brisk and bounding overture." — Toronto Star
"In three movements, [Piano Trio] displays a good command of form, and is immediately appealing." — Richard Todd (Ottawa Citizen)
"Rival's [string] trio was stressed and nervous, not really very pleasant, but well crafted and, in its own way, quite effective. The string writing is excellent and the work is entirely coherent, at least for those who can handle the emotional message. It is basically a tonal work, though it hardly wears its tonality on its sleeve." — Richard Todd (Ottawa Citizen)
"[The Overcoat] makes its point in a subtle and poignant way." — What's On in London
"An airtight musical treatment that can't be faulted". — curtainup.com on the NY International Fringe Festival production of The Overcoat
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